{"id":59775,"date":"2026-02-02T07:36:57","date_gmt":"2026-02-02T06:36:57","guid":{"rendered":"https:\/\/www.freaksonline.it\/freaks\/?p=59775"},"modified":"2026-02-02T07:37:29","modified_gmt":"2026-02-02T06:37:29","slug":"quartett","status":"publish","type":"post","link":"https:\/\/www.freaksonline.it\/freaks\/quartett.html","title":{"rendered":"Quartett"},"content":{"rendered":"<p class=\"s17\"><strong><span class=\"s15\"><span class=\"bumpedFont15\">\u201c<\/span><\/span><span class=\"s16\"><span class=\"bumpedFont15\">Viola Graziosi e Maximilian Nisi sono i protagonisti<\/span><\/span><span class=\"s16\"><span class=\"bumpedFont15\">di <\/span><\/span><span class=\"s16\"><span class=\"bumpedFont15\">\u201c<\/span><\/span><span class=\"s16\"><span class=\"bumpedFont15\">Quartett<\/span><\/span><span class=\"s16\"><span class=\"bumpedFont15\">\u201d <\/span><\/span><span class=\"s16\"><span class=\"bumpedFont15\">di Heiner M<\/span><\/span><span class=\"s16\"><span class=\"bumpedFont15\">\u00fc<\/span><\/span><span class=\"s16\"><span class=\"bumpedFont15\">ller in scena alla Sala Bartoli il 2 e 3 febbraio<\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">. Lo spettacolo &#8211; che si ispira a <\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">\u201c<\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">Le relazioni pericolose<\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">\u201d <\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">di Choderlos de Laclos ed <\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">diretto dallo stesso Nisi &#8211; <\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">reduce da un notevole successo a Milano ed <\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">ospite dello stabile regionale per il cartellone Scena Contemporanea<\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">\u201d<\/span><\/span><span class=\"s15\"><span class=\"bumpedFont15\">.<\/span><\/span><\/strong><\/p>\n<p class=\"s23\"><span class=\"s19\"><span class=\"bumpedFont15\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-59776 alignleft\" src=\"https:\/\/www.freaksonline.it\/freaks\/wp-content\/uploads\/2026\/02\/IMG_3886-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" \/>Il ballo macabro dell<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">anima umana. Un duello serrato, feroce, intellettuale, carnale tra due esseri in rovina<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">\u2026 <\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">Ecco cos<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">\u2019\u00e8 <\/span><\/span><span class=\"s20\"><span class=\"bumpedFont15\">Quartett<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">, la pi<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">\u00e8<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">ce di <\/span><\/span><span class=\"s21\"><span class=\"bumpedFont15\">Heiner M<\/span><\/span><span class=\"s21\"><span class=\"bumpedFont15\">\u00fc<\/span><\/span><span class=\"s21\"><span class=\"bumpedFont15\">ller<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\"> che<\/span><\/span> <span class=\"s22\"><span class=\"bumpedFont15\">si ispira a <\/span><\/span><span class=\"s22\"><span class=\"bumpedFont15\">\u201c<\/span><\/span><span class=\"s22\"><span class=\"bumpedFont15\">Le relazioni pericolose<\/span><\/span><span class=\"s22\"><span class=\"bumpedFont15\">\u201d <\/span><\/span><span class=\"s22\"><span class=\"bumpedFont15\">di Choderlos de Laclos e <\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">arriva alla Sala Bartoli in 2 e 3 febbraio, ospite della stagione <\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">\u201c<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">Scena Contemporanea<\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">\u201d <\/span><\/span><span class=\"s19\"><span class=\"bumpedFont15\">del Teatro Stabile del Friuli Venezia Giulia.<\/span><\/span><\/p>\n<p class=\"s27\"><span class=\"s25\"><span class=\"bumpedFont15\">Protagonisti dello spettacolo sono <\/span><\/span><span class=\"s26\"><span class=\"bumpedFont15\">Viola Graziosi e Maximilian Nisi<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">, che ne cura anche la regia. Prodotto dal <\/span><\/span><span class=\"s26\"><span class=\"bumpedFont15\">Teatro della Citt<\/span><\/span><span class=\"s26\"><span class=\"bumpedFont15\">\u00e0 \u2013 <\/span><\/span><span class=\"s26\"><span class=\"bumpedFont15\">Centro di Produzione Teatrale<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">, lo spettacolo, con la traduzione di <\/span><\/span><span class=\"s26\"><span class=\"bumpedFont15\">Saverio Vertone<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">, vanta le musiche di <\/span><\/span><span class=\"s26\"><span class=\"bumpedFont15\">Stefano De Meo<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\"> e le scene e i costumi di <\/span><\/span><span class=\"s26\"><span class=\"bumpedFont15\">Vincenzo La Mendola<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">. <\/span><\/span><\/p>\n<p class=\"s27\"><span class=\"s25\"><span class=\"bumpedFont15\"><br \/>\n<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">Al centro della storia ci sono la marchesa di Merteuil e il visconte di Valmont: due figure emblematiche dell<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">aristocrazia del XVIII secolo, spogliate di ogni maschera sociale, chiuse in un bunker fuori dal tempo e dallo spazio<\/span><\/span> <span class=\"s22\"><span class=\"bumpedFont15\">che deliberatamente giocano con il destino di <\/span><\/span><span class=\"s22\"><span class=\"bumpedFont15\">Madame de Tourvel, la giovane vittima sedotta<\/span><\/span><span class=\"s22\"><span class=\"bumpedFont15\">.<\/span><\/span><\/p>\n<p class=\"s27\"><span class=\"s25\"><span class=\"bumpedFont15\">L<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">opera di Heiner M<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00fc<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">ller non racconta una storia, ma scava un abisso. In uno spazio claustrofobico, fatiscente, illuminato da luci fioche, il tempo <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">scandito dal ticchettio di un orologio. Ogni battuta <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">una lama, ogni silenzio un colpo trattenuto. In questo luogo sospeso, isolato da un mondo esterno devastato, i due personaggi rievocano <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u2013 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">attraverso un perverso gioco di ruolo <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u2013 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">le loro conquiste, i tradimenti, i fantasmi. <\/span><\/span><\/p>\n<p class=\"s27\"><span class=\"s25\"><span class=\"bumpedFont15\">Ma il cuore del dispositivo scenico <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">lo scambio di ruoli. Valmont diventa Merteuil, Merteuil interpreta Valmont. Poi impersonano Madame de Tourvel e C<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e9<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">cile de Volanges, le vittime sedotte. Le identit<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e0 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">si mescolano, si sovrappongono, si deformano. Il corpo dell<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">altro diventa maschera, specchio, campo di battaglia. <\/span><\/span><\/p>\n<p class=\"s27\"><span class=\"s25\"><span class=\"bumpedFont15\">In questa vertigine performativa, M<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00fc<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">ller interroga le dinamiche del potere, del desiderio, del genere e della sua rappresentazione. Merteuil e Valmont non cercano amore: lo usano come arma. Non bramano l<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">altro: ne studiano la rovina. La passione diventa strumento di dominio, di controllo, di vendetta. M<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00fc<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">ller affonda la penna nella carne dei personaggi con sarcasmo, crudelt<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e0 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">e una lucidit<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e0 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">spietata, mettendo in scena un teatro della mente dove il potere e la seduzione sono atti terminali. Il linguaggio <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">crudo, frammentato, interrotto: riflesso di un mondo che ha perso il senso, dove la comunicazione <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">fallita e resta solo l<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">eco del desiderio e della distruzione. <\/span><\/span><\/p>\n<p class=\"s27\"><span class=\"s25\"><span class=\"bumpedFont15\">L<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u2019<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">umorismo <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">nero, la follia si mescola alla lucidit<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e0<\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">, la decadenza morale si fa forma scenica. Quartett <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">un rito oscuro, in cui lo spettatore <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">\u00e8 <\/span><\/span><span class=\"s25\"><span class=\"bumpedFont15\">testimone e prigioniero. <\/span><\/span><\/p>\n<p class=\"s32\"><span class=\"s30\"><span class=\"bumpedFont15\">Lo spettacolo va in scena luned<\/span><\/span><span class=\"s30\"><span class=\"bumpedFont15\">\u00ec <\/span><\/span><span class=\"s30\"><span class=\"bumpedFont15\">2 febbraio alle ore 21.30 e marted<\/span><\/span><span class=\"s30\"><span class=\"bumpedFont15\">\u00ec <\/span><\/span><span class=\"s30\"><span class=\"bumpedFont15\">3 febbraio alle ore 19.30<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\">: i<\/span><\/span> <span class=\"s12\"><span class=\"bumpedFont15\">biglietti sono disponibili presso <\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\">presso i punti vendita e <\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\">nei circuiti consueti del Teatro Stabile del Friuli Venezia Giulia: <\/span><\/span><a href=\"http:\/\/www.ilrossetti.vivaticket.it\/\"><span class=\"s31\"><span class=\"bumpedFont15\">www.ilrossetti.vivaticket.it<\/span><\/span><\/a><span class=\"s12\"><span class=\"bumpedFont15\">Informazioni sono disponibili sul sito <\/span><\/span><a href=\"http:\/\/www.ilrossetti.it\/\"><span class=\"s31\"><span class=\"bumpedFont15\">www.ilrossetti.it<\/span><\/span><\/a><span class=\"s12\"><span class=\"bumpedFont15\"> e al tel 040.3593511.<\/span><\/span><\/p>\n<p class=\"s33\"><span class=\"s30\"><span class=\"bumpedFont15\">QUARTETT<\/span><\/span><\/p>\n<p class=\"s36\"><span class=\"s34\"><span class=\"bumpedFont15\">di<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\"> Heiner M<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\">\u00fc<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\">ller<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\"><br \/>\n<\/span><\/span><span class=\"s34\"><span class=\"bumpedFont15\">ispirato a<\/span><\/span><span class=\"s35\"><span class=\"bumpedFont15\"> \u201c<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\">Le relazioni pericolose<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\">\u201d <\/span><\/span><span class=\"s34\"><span class=\"bumpedFont15\">di<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\"> Choderlos de Laclos<\/span><\/span><\/p>\n<p class=\"s36\"><span class=\"s34\"><span class=\"bumpedFont15\">traduzione<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\"> Saverio Vertone<\/span><\/span><\/p>\n<p class=\"s36\"><span class=\"s34\"><span class=\"bumpedFont15\">regia<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\"> Maximilian Nisi<\/span><\/span><\/p>\n<p class=\"s36\"><span class=\"s34\"><span class=\"bumpedFont15\">con<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\"> Viola Graziosi <\/span><\/span><span class=\"s34\"><span class=\"bumpedFont15\">e<\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\"> Maximilian Nisi<\/span><\/span><\/p>\n<p class=\"s37\"><span class=\"s34\"><span class=\"bumpedFont15\">musiche originali <\/span><\/span><span class=\"s12\"><span class=\"bumpedFont15\">Stefano De Meo<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cViola Graziosi e Maximilian Nisi sono i protagonistidi \u201cQuartett\u201d di Heiner M\u00fcller in scena alla Sala Bartoli il 2 e 3 febbraio. Lo spettacolo &#8211; che si ispira a \u201cLe relazioni pericolose\u201d di Choderlos de Laclos ed \u00e8 diretto dallo stesso Nisi &#8211; \u00e8 reduce da un notevole successo a Milano ed \u00e8 ospite dello stabile regionale per il cartellone Scena Contemporanea\u201d.<\/p>\n","protected":false},"author":64,"featured_media":59776,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1318,7],"tags":[],"class_list":["post-59775","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-e-spettacolo","category-trieste"],"_links":{"self":[{"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/posts\/59775","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/comments?post=59775"}],"version-history":[{"count":2,"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/posts\/59775\/revisions"}],"predecessor-version":[{"id":59778,"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/posts\/59775\/revisions\/59778"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/media\/59776"}],"wp:attachment":[{"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/media?parent=59775"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/categories?post=59775"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.freaksonline.it\/freaks\/wp-json\/wp\/v2\/tags?post=59775"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}